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The Holy Lace Short in Ivory is the piece that makes the Glenn Lace Camp Shirt a set — and on its own, it's the kind of short that reads as more dressed than its length suggests. Lace shorts have a specific occasion register and Simkhai manages it correctly: the construction is lined, the silhouette is clean, and the Ivory keeps it in the territory of considered dressing rather than fancy dress. Sizes XS–M.

The Glenn Lace Camp Shirt in Ivory is Simkhai doing something genuinely interesting: lace in a camp-collar shirt format, which takes the label's signature material out of its dress context and puts it somewhere more unexpected. The Ivory colourway softens the graphic quality of the lace, and the camp collar keeps the silhouette relaxed and summer-specific.

The Marion Shell Heel in Alabaster Gold is the evening sandal in the Simkhai range — shell detailing, a proper heel, and a colourway that reads as warm gold in artificial light. This is the sandal that pairs with the embellished and lace dresses in the collection, and it works because it shares their decorative sensibility without trying to compete. Sizes 37–40.

The Siren Low Sandal in Camel is Simkhai's footwear done with the same considered sensibility as the clothing — a flat or low sandal in a warm neutral that works with practically everything in the collection. Camel in sandal leather has a Mediterranean-market warmth that tan or nude doesn't always achieve, and the Simkhai construction is precise enough to be worth the price. Sizes 37–41.

The Ziva Embellished Mini Dress in Periwrinkle is the evening piece in the Simkhai collection that requires the least explanation. The embellishment — beading, sequins, or the specific Simkhai surface work — does the work in Periwrinkle's soft blue-purple, and the mini silhouette keeps the whole thing in the territory of a confident dinner dress rather than a formal gown.

Simkhai Salina Bubble Mini Dress in Midnight Multi is a piece that announces its presence before you do. The bubble hemline — a gathered, sculptural hem that creates volume at the base of a mini dress — is the kind of design statement that needs the right occasion, and on the right occasion, it's the only thing in the room that matters. Midnight Multi keeps the palette rich and complex enough to support the silhouette.

The Desiree Macramé Mini Dress in White is the brighter, more graphic version of Simkhai's macramé mini — the same construction as the Periwrinkle, but in white the knotwork reads with more contrast and precision. It's the dress for the woman who wants the impact of the white Leonora Midi in a shorter, more relaxed format.

The Novelle Lace Mini Dress in White is Simkhai's most delicate piece in this season's range — lace over a structured mini that has internal support so the dress works on its own. The white lace reads as genuinely bridal-adjacent without being costume; the mini length keeps it in the territory of a confident summer dress.

The Acacia Draped Jersey Midi Dress in Tulip brings the same engineered draping to a warmer, more playful colourway. Tulip — a warm coral-pink — is the colour that works in direct sunlight and against a tan, and in the jersey fabric's slight sheen it reads as considered rather than candy-bright.

The Acacia Draped Jersey Midi Dress in Royal Blue is the dress for the woman who wants to be noticed without having orchestrated it. The draping is engineered — it isn't random gathering but considered pleating that creates movement and suggests a particular ease of dressing. Royal Blue in jersey has a depth that flat fabrics can't match, and the midi silhouette keeps the whole thing grounded.

The Callaway Maxi Knit Dress in Ivory is the version of this dress that photographs in every kind of light and pairs with everything from gold sandals to bare feet. The knit construction drapes without clinging and the maxi length reads as effortless rather than formal. It's available in XS–M, which means it's a considered purchase for the right body.

The Vivanne Midi Dress is Simkhai at their most architectural — the kind of white dress that has real construction behind it rather than relying on the colour to do the work. The silhouette is structured through the bodice and releases into a midi skirt with enough volume to move beautifully without requiring anything underneath. It's the dress you pack when you know there will be a dinner worth dressing for.

The PALMYRE Hat in Panama is Eres's structured sun hat in the warm sandy neutral that coordinates with everything in the range. The 67% viscose, 33% cotton weave has enough flexibility to pack without permanent damage, and enough structure to hold the brim's shape in the sea breeze. Available in S, M, L based on head circumference — it fits properly rather than sitting tentatively.

The ZELIE Pantalon in Noir is the black beach trouser done with the Eres quality that makes the difference. The 67% viscose, 33% cotton blend drapes cleanly and resists the wrinkling that lesser fabrics accumulate through a day of use. The wide leg and elasticated waist are practical; the fabric is what elevates it from functional to considered.

The JUNGLE Pareo in Voyage Panama is the beach cover-up with a travel narrative built in. The Voyage Panama print has a graphic, documentary quality — warmer and more structured than the Scarabee and Persane prints — and the 70% cotton, 30% silk blend gives it the drape and movement to work as both a wrap and a layer. One size, genuinely versatile.

The MANDAPA Pareo in Persane Panama brings the same 70% cotton, 30% silk construction to a warmer print register — Persane Panama has amber and golden tones that read particularly well in outdoor light. The silk content gives the pareo drape and movement; the cotton keeps it from being precious. Tie it, wrap it, or use it as a layer — the size and weight are practical.

The MANDAPA Pareo in Scarabee Panama is cut from a 70% cotton, 30% silk blend — the silk content is what keeps it from being just a pareo. The fabric drapes rather than wraps, and the Scarabee Panama print has the depth in this blend that it would in a heavier fabric. Tie it at the waist, at the hip, or use it as a shawl; the size and weight make it genuinely versatile rather than decorative.

The ZELIE Pantalon in Panama is a beach trouser in 67% viscose, 33% cotton that manages to look polished while remaining entirely comfortable. The Panama colourway — Eres's warm sandy neutral — is the version you reach for when everything else in the bag is patterned, or when you want a foundation piece that makes everything else work. The wide leg falls cleanly and the elasticated waist sits without fuss.

The BLOOM Brassiere in Noir is the workhorse version — a soft-cup top in black that pairs with everything and asks nothing. The 84% polyamide-elasthane construction gives it structure without underwire, and in Noir the brassiere format reads as more refined than a triangle without being as architectural as the Sophistique pieces. The fabric holds its shape and its colour through repeated wear.

The BLOOM Brassiere in Raphia is a soft-cup underwire-free top with more structure than a triangle but less architecture than the Show Bandeau. The Raphia print gives it the artisanal warmth that this format suits — it's not a statement piece, but it's a well-made one. The 84% polyamide-elasthane fabric holds the cups in shape and the band in position.

The Mouna Petit Triangle in Raphia is Eres's triangle top in a natural, woven-textured print that reads warmer and more artisanal than the Scarabee and Persane colourways. The 84% polyamide-elasthane fabric lies flat and holds the ties securely; the Raphia print gives it the kind of quiet character that pairs well with both solid and patterned bottoms without competing.

The POOL Sophistique in Voyage Panama is a onepiece that uses Eres's internal-support Sophistique construction in a print — which is a less obvious pairing than it sounds, and a more successful one. The Voyage Panama print gives the shaping swimsuit a warmth and graphic quality; the Sophistique construction means the suit does the work underneath. The 77% polyamide-elasthane fabric is chlorine-resistant and holds its shape through a season of real use.

The HARMONY Onepiece Sophistique in Noir is Eres's most architectural swimsuit. The Sophistique construction uses internal support panels that sculpt without visible seaming — the exterior is clean and the effect is that of a swimsuit that makes the body look better, without the complexity showing. In Noir, it's the piece you reach for when you want to look considered without any obvious effort.

The ITINERANT Pantalon in Voyage Panama is cut from a 67% viscose, 33% cotton blend into a wide-leg silhouette that moves well and holds its line. The Voyage Panama print in this fabric has a slightly matte quality that reads as more casual than the silk pieces in the same colourway — which suits the trouser format. The elasticated waist sits comfortably and the leg falls clean.

The PACHA Pantalon in Scarabee Panama is cut from 100% silk into a wide-leg silhouette, and the combination of the fabric's drape and the Scarabee Panama print produces something genuinely beautiful in motion. The waistband sits at the natural waist, the leg falls clean and wide, and the print in silk has the depth and luminosity that this particular design deserves.

The MAHARANI Onepiece in Scarabee Panama is one of those swimsuits that functions as an outfit in itself. The 77% polyamide-elasthane fabric has real shaping quality, and the Scarabee Panama print — complex, warm-toned, unmistakably Eres — means the suit reads as deliberate rather than merely functional. It's cut to be seen from the pool to the table.

The EMERAUDE Chemise Top in Scarabee Panama is 100% silk cut into a shirt silhouette — which means it works with the full range of the Eres summer wardrobe without asking you to dress around it. The Scarabee Panama print in silk is particularly successful: the fabric gives the colours a depth and movement that the same print in cotton or synthetics can't achieve. Worn open over a swimsuit or properly buttoned for dinner, it's the same piece.

The ARJUN Pantalon Short in Scarabee Panama is cut from 100% silk, which immediately puts it in a different category from most beach shorts. The Scarabee Panama print in silk has the depth and movement you'd expect from the fabric: the colours shift in light, the shorts move rather than sitting static, and the whole piece reads as considered rather than casual. The cut sits at the natural waist and falls to a length that works for both the beach and a restaurant table.

The LAKSHYA Dress in Scarabee Panama is cut from a 70% cotton, 30% silk blend — and the silk content is what makes it. The Scarabee Panama print takes on a different quality in this fabric than it does in polyamide: there's a subtle luminosity in the weave, and the dress moves with an ease that pure cotton couldn't achieve. This is the piece you bring to dinner the first night.

The DIVINA Robe in Ecru is the kind of beach dress that doesn't ask anything of you. The 67% viscose, 33% cotton blend drapes rather than clings, moves with the body in a sea breeze, and the Ecru colourway flatters in the particular way that warm neutrals do against tanned skin. It works over a swimsuit at lunch and, depending on the shoes, carries into an early evening without adjustment.

The EMBELM Pantalon in Ecru is the wide-leg trouser that works as a foundation piece — pair it with any of the Eres tops and the combination looks considered. In the 67% viscose, 33% cotton blend, Ecru has a warmth and slight texture that white linen can't replicate. The wide leg falls cleanly from the elasticated waist and holds its line through an afternoon.

The AURORA Top in Ecru is the neutral you reach for when everything else in the bag is patterned. The 67% viscose, 33% cotton blend drapes without clinging, and Ecru in this fabric has a warmth that white doesn't — it sits against tanned skin beautifully, and it doesn't show every shadow. The cut works tucked, worn loose, or tied at the waist.

The AURORA Top in Ocean is cut from a 67% viscose, 33% cotton blend that sits against the skin in a way that pure cotton doesn't — there's a softness and a slight drape that makes the top feel more considered. The Ocean colourway in viscose-cotton has a slightly deeper quality than the same tone in swimwear fabric, and the top sits well either tucked into high-waisted pieces or worn loose over swimwear.

The CROCODILE Top in Voyage Panama is cut from 100% cotton and meant to be worn. Not saved — worn, washed, worn again. The Voyage Panama print has a graphic quality that the cotton fabric renders slightly more matte and casual than it would in silk, which is exactly right for a top that's designed to move from boat to beach bar without ceremony. It fits loosely, it breathes, and it photographs well in Mediterranean light.

The Cassiope Onepiece in Ocean is a swimsuit that takes its cut seriously. The silhouette is classic — no cutouts, no hardware — and the Ocean colourway, a deep blue-green with the quality of looking different in and out of the water, carries the whole piece. The 84% polyamide-elasthane fabric sculpts without compressing, and the onepiece stays exactly where it should through any amount of movement.

The LEONE Panama in Panama is the natural colourway — the closest to traditional Panama straw, but in the Eres 67% viscose, 33% cotton blend that makes it packable and travel-friendly in a way that natural straw isn't. The Panama tone is a clean warm white that works with every colourway in the range. It's a hat with enough structure to hold its shape but enough flexibility to survive a season of actual use.

The HOLI Kaftan in Scarabee is cut from 100% silk — and you feel it the moment you put it on. It drapes without clinging, moves in the sea breeze, and the Scarabee print takes on a different quality in silk than it does in swimwear fabric: deeper, more saturated, with a slight luminosity that flat cotton can't replicate. It's a piece that earns its place as the thing you reach for when you leave the water.

The LEONE Panama hat in Bronzee is made from 67% viscose, 33% cotton — which gives it a weave with more drape and flexibility than rigid straw, and means it survives the journey from holiday to holiday without losing its shape. The Bronzee finish adds a warm, slightly iridescent quality to the Panama weave. It's a hat that looks deliberate rather than last-minute, and it works over wet hair as well as dry.

The Show Bandeau is structured where the Premiere is fluid — there's a boning element in the construction that gives it real lift and hold, making it the stronger choice for a fuller bust. In Scarabee, the print adds visual complexity that works in the bandeau's favour: the eye reads pattern rather than seaming, and the overall effect is that of a top with more thought behind it than most. The 84% polyamide-elasthane fabric has more compression than the lighter Eres blends.

The Premiere Bandeau is Eres's answer to a top that doesn't require you to think about it once it's on. The Panama colourway — Eres's warm, sandy neutral — is the quietly clever choice: it photographs as though the light is always good, and it coordinates with practically everything. The bandeau sits flat against the chest without underwire and holds its position through movement; the 73% polyamide-elasthane blend has enough compression to do the work without relying on boning or hardware.